Stan is an excellent poker player. Recently she told me that she had read my book, “The Art of Bluffing,” and found it very helpful. Then, with a big smile on his face, he commented: “But, bluffing is more than art as your book suggests.” ; this is also a process. “
We both agree. Whatever you call it, bluffing is very important to the game of poker. Players who never bluff are sure to lose. The same is true if you don’t have bluffing skills. I have often observed that my bluffs often make the difference between win and lose sessions at the casino visit KudaQQ.
So when we look at art vs process, what’s the difference? By definition, a process is a series of actions that interact to produce an outcome. There are processes that can be applied to business and management, science and technology, chemistry, mathematics and computing, manufacturing – you name it.
On the other hand, according to the Merriam-Webster Dictionary, art is a skill that is acquired from experience, study, or observation. My book, is meant to teach you that skill.
So, I have to agree: There is a process for executing bluff; it’s more than just generating big increases. But, art as a skill, is very important. Without it, it won’t be effective.
Let’s explore some skill-related content. . .
• Esther Bluff tactic – a skill that gives us a huge advantage over our opponents by encouraging them to draw their cards. Confidence and self-confidence is the key. Reverse tell also helps.
• Know your opponents: Who are the call-ups, tight and shy players (easy to bluff), freelancers who often limp to see the flop, and extremely aggressive players (“maniacs”) who don’t want to raise again?
• Using position – realizes when you are in the right position at the right time. For example, try sitting to the left of a maniac.
• Semi-bluffing with lots of great outs – so you have more than one way of getting to the pot.
• It takes more skill to bluff in low limit games. The bigger the bet, the easier it is to force your opponent. As you can imagine, Esther Bluff is even more important in low-limit games.
• Bluffing frequency – Don’t overdo it. Your opponent will catch on.
• Changing chairs and tables – It takes skill too. Not all chairs and tables are the same. It depends on the player. Beware of the call station at your desk.
• Using your drawing – Your opponent will eventually record how you played your hand. If they think you’re a tight player, it can help when you bluff. Finally, your bluff was called upon, so now you have a new image. You can use that new image.
• Using tell – Almost all poker players tell (“body language”). Observing and interpreting the opponent’s story is an art in itself; it takes skill. Don’t try to bully your opponent when he is showing certainty.
Examples are: Sitting upright in his chair; grabbed a bunch of chips before it was his turn to act; looking around the table; take a deep swallow; hold your breath; suddenly put down his drink; rubbing his neck; placing chips on the hole cards; suddenly stopped talking to his neighbor or the cocktail waitress. Informing like that displayed a strong hand, making it even more difficult for him to bully him.
And then there’s the opposite that you can use to trick your opponent, like when you’re bluffing. So, all in all, while there is a process for making a bluff, skill is very important. The bluffing process involves using some of those skills. That’s the art of bluffing.